The Excalibur Curse; a review, in which I discuss the curious feelings that stem from being both queerbaited and straightbaited, because this book couldn’t handle any type of relationship

Why isn’t Guinevere’s crown shaded? Like I’m not sure if you can tell in this photo but in person it looks really weird

So, I promised myself I wasn’t going to read the third book, because I knew it was going to be very, very bad after reading some spoilers, but then I realized my library had it. And Arthuriana is my special interest, so I couldn’t bring myself to stay away. Hey, at least I’m getting a review out of it!

My review for the second book may be found here. My review of the first book is here, but I will warn you it isn’t very good because I wrote it a very long time ago. I feel like I accidentally made it sound like Guinevere dating Mordred would be feminist praxis (which, for the record, I DON’T believe, I was just bad at writing back then), and it was all so very cringy. Nostalgic, because I believe it was one of my first reviews–I want to say it was the third review I wrote, but I could be wrong on that?–but still deeply cringy. (For the record, there ARE some things in that review that I still stand by, mainly about how female characters who are outcasts get portrayed, and also that Guinevere is a shallowly written character and Arthur really should have been called out more. Other stuff is just. What the FUCK was I on. So yeah, it’s a mixed bag!)

Also, this review is so on point and said it better than I could???

**THIS REVIEW CONTAINS SPOILERS**

Okay, so let me get this rant out of the way. This book DARES to call itself feminist while portraying its witch trials allegory as maybe not such a bad thing?? Like you’re really going to do that??? “Oh, maybe Arthur is justified in driving out magic, because look at all the harm it causes!” says Guinevere at one point in the book. Yeah, well, you can also find a lot of tools to cause harm in a smithy, but you wouldn’t ban metalwork, Guinevere. Also fuck you. The women who these laws affect are just trying to live their lives, you fucking prick. They aren’t anywhere near on the same level as Merlin or Morgana or the Dark Queen. They’re just using the tools they have to make their lives easier, just like anyone would do with a hammer or a shovel or a knife. All those things can be used to kill, if you want to, but they’re also important tools that make people’s lives easier. For the record? Mordred was 100% right about everything, aside from resurrecting the evil queen in the first book. The system was broken, Mordred was the only one interested in fixing it, and I’m supposed to believe he’s SUCH a bad guy just because he tried to make a difference I guess. The witch trials were bad, this fictional portrayal of them was bad, and you should feel very bad, Guinevere.

This trilogy’s relationship with magic was honestly so weird? It’s one thing to build your magic system so that magic is an inherently evil thing, but it’s another to…not do that and then treat magic as something that needs to be expunged from the realm for reasons, I guess. And then it’s implied that magic no longer exists in the realm by the end of the trilogy, because Guinevere’s magic was one of the few interesting things about her, so we had to get rid of it. Plus, we’ve gotta drive that civilization vs. nature theme into the ground!

Also, you’re really going to come out completely on the side of civilization in 2022? I’d say with global warming, pollution, and habitat destruction, it’s so clear to me that we need BOTH civilization and nature. If we only have one, humans won’t even exist. I mean, it’d be clear to me at any point that we need both civilization and nature, but! Especially in 2022!

Okay, so with all that out of the way, allow me to rant about plot and characters. (I’ll save the ships for last, lmao.)

THEY WERE SO BAD. Okay, Mordred was still great. He took a couple of chapters to really pull me in again, but once he did, he was a DELIGHT. Just. He gets most of the funny lines in this book, and most of the lines with the most pathos, and characters who can give me both are almost always guaranteed to be my favorite. He deserved so, so much better. Also he was literally the one of the only characters who called things like they were? Aside from the fact that I hate Guinevere in this book and he doesn’t, our thoughts on the situations in the book are basically the same.

And Arthur is plotting against her, and my mother is plotting against Merlin, and doubtless Merlin saw all this and has his own plots that were put in motion seventy years ago and will somehow ruin whatever my mother is trying to do, while Arthur sweeps in with his damnable sword and cuts through the magic of my grandmother, who will retreat and plot anew, while Arthur goes and does Arthur things and my mother plots and Merlin interferes from afar. They are all a terrible river crashing down a hill. Nothing will stop them. Nothing will alter their course. If we remove ourselves from it, all we have done to affect the outcome is claim our own selves and our own happiness as more important than being drowned by their conflict.

Thank you, Mordred, please keep spitting facts like this forever.

Brangien and Dindrane were still great, too, and I loved Fina, the new character in this book, but the side characters barely got screen time in this. It was honestly so upsetting, because the cast of side characters was one of the trilogy’s main strengths (okay, only the female side characters + Mordred, I don’t even want to speak about what was going on with the male side characters, but I will because this whole review is me talking at length).

However, the main characters, aside from Mordred, were so bad. I think this is probably the result of the second book meandering so much? Like you literally could have cut the second book from this trilogy and things would have basically been the same aside from Isolde not being rescued (and Guinevere not getting kidnapped, but you get my point). And then the first book didn’t wrap up much with the plot and character stuff either. So then you get the Star Wars Sequel Trilogy Problem of having to wrap up SO many things in the finale, and it just feels incoherent.

Like Guinevere’s whole identity crisis that takes up way too much time that we didn’t have, even though it does make sense that she’d feel very bad about the…plot twist and would try to do something about it. (I would rant about that plot twist SO much, but I’m saving the plot twists rant for later.) But as it is, it just feels so frustrating and pretty boring. It’s so clear to me that this reveal and the ensuing crisis should have been moved to the second book. I mean, if you were going to do that reveal at all, but I digress.

Honestly, same for Mordred and Guinevere’s relationship, and Lancelot’s relationship with Guinevere? I think that the relationships would have had more time to develop if this drama had started playing out in the second book, and if they had more time, I think the abrupt cutoff where Guinevere stops dating Mordred could potentially have made sense! Guinevere not being who she thought she was COULD be a big enough thing to drastically change her relationships with her loved ones. And maybe Lancelot could be the one to talk her through her feelings about the reveal, and that’s how they fall in love! Or SOMETHING. Because good Lord, nothing about those relationship developments made any sense.

After ignoring all of Arthur’s bad behavior from the previous two books, this book takes a hard left turn and starts hitting me over the head with how VERY BAD ARTHUR IS. I think I actually would have loved how Arthur from the first book was handled, actually, as long as his behavior was treated as bad? Or at least implied to be bad? But the bad behavior in the first book was subtle, for the most part, and the subtlety could have been so, so good if the book had felt self-aware. But in this book, I feel like I missed a book’s worth of character development? Like if the second book hadn’t been wasted, we could have seen him have to make progressively harder decisions, and his flaws gradually get worse and worse under the stress, until he becomes the kind of person who would threaten Lancelot in order to stop Guinevere from doing something drastic. Because as bad as Arthur in the first book was, I’m not completely convinced that he was THAT bad. And also, there’s this one really poignant scene in this where he and Guinevere are talking, and they both realize that they spent so long waiting in their relationship that they’ve grown past each other and aren’t what the other one needs anymore, and it’s SO GOOD, except that it feels like the climactic scene in a very long character arc that wasn’t there.

But yeah, Arthur basically spends the whole book being awful, and it is so, so stupid to me that Guinevere sees all his bad behavior, goes “what the fuck, was he always like this” and then! Then, at the very end, she decides that Arthur must not be so bad after all and literally does nothing to fix the situation she’s in aside from deciding to stand up to him occasionally, and I’m just…Okay?? Oh, also, as a side note, she tries to both-sides Arthur conquering people. It made me uncomfortable. An English king coming in and conquering the surrounding nations and justifying it because he’s bringing civilization and order is. It’s uh. It’s a lot?

Also, the author heard my complaints about how feminism was handled–or rather, not handled, Guinevere just licks the boots of the patriarchy–in the first book, and decided to overcompensate by shoving the feminist messages into my face every three seconds. I GET IT, okay? You don’t have to slap me upside the head with the messaging. And all the male side characters are either dumb, evil, or given no screentime whatsoever? You’re really telling me that all the men in this story world are horrible, no good, very bad people? All of them? Including PERCIVAL for some reason??? (And Blanchefleur, because this is a feminist book that doesn’t believe in demonizing strong women from mythology for no reason! /s) And the ending was so upsetting for me, where after Guinevere figures out that Camelot does not want her unless she is stifled and silent, she just…goes back to stay. And she’s so convinced that she’ll be able to make a change for other women there, even though everyone BARELY listens to her aside from her close circle of friends. I feel like she’ll just get shoved right back into her role of staying loyal and silent, and that’s just depressing to me. Anyway, you know what? You know what, maybe living in a cottage with Mordred IS feminist praxis. It’s certainly more feminist praxis than this. I just wanted her to put her own needs first for once, dammit, and then she never did.

(Oh also this is completely off-topic but Morgana literally had so much potential for a villain but then she just straight up dies halfway through the book. It was deeply annoying.)

*long, long sigh* Okay, I can’t avoid the topic anymore. GUINEVERE. She never was allowed to be the brightest bulb in the basket in this trilogy, but in this book I literally wanted to shake her multiple times while I was reading. She tries to solve all her problems by turning to evil wizards. ALL of them.

Guinevere: *runs into a crisis*

Guinevere, five seconds later: So do I trust Morgana, Nimue, Merlin, or the Dark Queen to solve this problem for me?

AND NO. THOSE ARE ALL REAL EXAMPLES OF PEOPLE SHE TRUSTS TO SOLVE HER PROBLEMS. She was so. so. STUPID.

She literally needs everything spelled out for her? Like she gets the grand revelation that Merlin may have enchanted her to be afraid of water because Morgana tells her soldiers to keep her away from water. And just. Girl? I have been waiting for you to try jumping into a lake to find out what will happen for the past two books. And she discovers that Arthur actually views her as more of a possession because Morgana and Guinevere both end up looking through his thoughts briefly. Again! I have been yelling this to her for the past two books, but nooo, we can’t make a decision unless Morgana makes it for us, apparently. Guinevere. Guinevere, you don’t even like Morgana. Maybe figure things out on your own for once.

AND THE REVEAL ABOUT HER BACKSTORY IS SO, SO PAINFULLY INCOHERENT. Get this, okay? Merlin fused the original Guinevere’s soul with the Lady of the Lake so that he could send the Lady of the Lake to protect Arthur, only it didn’t quite go well, and he ended up with an entirely brand-new girl. Because that makes a lot of sense! I have watched a Xianxia drama, Love and Redemption, that had almost this exact plot twist and the Xianxia drama handled it SO much better, not least because it actually fit into the worldbuilding in the drama! It was something that the audience might feasibly expect! But also because the drama seemed way more interested in delving into the trauma and the consequences that stem from being brainwashed?? (Also, Sifeng is a bisexual king and I literally feel more represented by Sifeng then I do by Guinevere in this book and the show isn’t even allowed to call him bisexual because of censorship, so that’s where we are right now.)

Oh, by the way, this reveal makes it so that Guinevere has half the soul of Lancelot’s adopted mom, btw, and then she falls in love with Lancelot. While having half the soul of Lancelot’s adopted mom. It’s not actual incest, and you might call me hypocritical for complaining about somewhat weird relationships while shipping Mordred/Guinevere, but Mordred/Guinevere is a thing in some of the legends, so I don’t mind stories exploring that! I like Mordred/Guinevere from the legends! LANCELOT/NIMUE IS CERTAINLY NOT A THING, SO I DON’T UNDERSTAND WHY THIS WAS IN THERE.

[Edit: Btw I’m still not over this. I think about ‘the author got Lancelot together with the girl who has Lancelot’s mom’s soul inside of her’ at least once per day since I finished this. It haunts me ❤ Please keep me in your thoughts and prayers as I go through this struggle]

Honestly, the five pages or so we got of the original Guinevere were more interesting than Guinevere had been this entire book (possibly the entire trilogy). I really liked her. Why couldn’t we have had a book about her, instead?

Guinevere is so wishy-washy in this book?? “Arthur is bad and I’m done with him! Oh, wait, maybe he’s actually good. I still love him! I love Mordred so MUCH. Oh wait, he’s not the right guy for me for reasons. I think I might love Lancelot? I’m going to flounder about this for pages while wailing about how much I just love all my love interests, but my author won’t let me commit to honest-to-God polyamory. My life is so hard.”

Yeah. Yeah, it was dumb.

Okay, so. The ships. Yeah it was all so very dumb and also gave me a lot of whiplash because Guinevere just couldn’t commit? She and Mordred were very sweet! Sometimes when a heroine talks about how much her love interest just gets her, you’re tempted to roll your eyes, but here, I honestly believed it. They have things in common that help them to understand each other, since they’re both magic users who’ve had to hide and suppress themselves in order to fit in. They got along so well together, and all the jokes they made about them living in a cottage together are very much tempting me to write the shippy cottagecore fanfic lmao. I loved that. (Also, I made a dumb joke about them living in a cottage together in my review of book two. I was genuinely spooked there for a second and about to start making theories about how I am clairvoyant actually, but–actually, no, you know what, I still am)

And then the author threw that relationship away for some reason halfway through the book with no justification? Oh! Suddenly we’re in love with Lancelot now! She’s suddenly talking about how much Lancelot gets her, and how much she loves Lancelot, and at one point she says that Lancelot is the one who knows her best, and I just…Really? Oh, that one? The one you’ve barely talked to? It’s not Brangien, your friend who spends almost all of her time with you?

The reason why she leaves Mordred in the first place is so dumb to me? Like after the big reveal that she’s inhabiting the original Guinevere’s body, she has this really brief conversation with Mordred about how she wants to erase herself so that the original Guinevere can live. Mordred agrees to help but she senses that he’s not quite telling the truth. Keep in mind that this was a really brief conversation, and also, I find Mordred’s reaction very understandable actually? This isn’t ‘taking away her choice,’ this is not wanting your girlfriend to die?? Anyway, next morning, instead of talking about it with him further and actually communicating, she decides to take her chances with MORGANA LE FEY AND THE DARK QUEEN. Of course everyone almost dies. Who could have possibly seen that coming?? And later in the book, when Arthur threatens Lancelot to try to get Guinevere to not kill herself so Original Guinevere can live, she compares Mordred to Arthur and thinks about how similar they are???? Because telling a lie when you’re panicking is just the same as threatening your wife’s best friend I guess??????

Anyway, now that I’ve gotten that rant out of my system, Lancelot was just really disappointing to me. I usually LOVE the trope of the bodyguard who falls in love with the person they protect (especially when it’s the minion and the villain falling for each other, okay? I love that so MUCH). And I love Lancelot from the legends, he’s amazing. Best boi. But Lancelot wasn’t developed at all in this trilogy , and I honestly can’t really think of any traits that she had aside from ‘good fighter’ and ‘loyal to Guinevere.’ And the whole romance REALLY felt like it came out of nowhere?? It wasn’t insta-love, because she and Lancelot had the entirety of book two to get to know each other, but it sure felt like insta-love, because Guinevere barely indicated platonic feelings for Lancelot in the second book, and now she’s talking about how what she and Lancelot have is TRUE LOVE, dammit. I said in a conversation on Goodreads that she and Lancelot felt like coworkers who get along with each other in the second book, and…yeah. I wasn’t getting ‘deep and eternal love’ from that, sorry. Also, she kisses Arthur and has a full on makeout session and maybe more with Mordred, but she doesn’t do anything physically affectionate with Lancelot beyond a hug and a handhold. Really questionable. And she and Lancelot aren’t even really together at the end?? They never have a conversation about what their relationship is and what they want from it. I’ve seen people say that it ends with a polyamorous relationship between Guinevere, Arthur, and Lancelot, but I wouldn’t even call it that? I mean, it COULD have been, but it felt more like this book was desperately trying to leave the love square openended so that readers wouldn’t get frustrated with it, only for it to leave me more frustrated than ever. I really don’t count that as polyamory, more as bad writing.

So yeah! Before I read the book, I thought the reviews on Goodreads that talked about feeling queerbaited were deeply silly, because I’d read spoilers and Guinevere DOES get with Lancelot at the end–only to find out that no, I get what they were saying, this is all deeply weird. But then the straight relationships are handled terribly, too, so equality I guess…? Anyway, I did not have fun!

Oh well, I’m just going to pretend very hard that this book ended with Mordred and Guinevere running away to enact their cottagecore fantasies together. This book was honestly just terrible, though? At least it did inspire me to write fanfic! That’s something! Anyway, #MordredDeservedBetter

Wow, So I Actually Read a Lot Last Year??? (a recap of 2021)

I read 72 books this year. Who am I. I mean, to be fair, a few of those are short stories and Goodreads just counted them as books for some reason, but still.

(Also I’m pretty sure the only reason why I’ve read so much this year is because I had a mental breakdown towards the end of my spring semester and then took the Fall semester off and thus am able to read like I’m in high school again lmao.)

But anyway! I thought I’d do some mini-reviews to bring in the new year! I ended up having to split this up into two parts because it got so long lmao, I’ll post part two tomorrow (hopefully).

Sir Gawain and The Green Knight, Pearl, and Sir Orfeo (translated by J.R.R. Tolkien)

AHHH THIS WAS SO GOOD GAWAIN IS VERY BISEXUAL-CODED AND THE WRITING IS BEAUTIFUL. EVERYTHING IS AMAZING. THE OTHER TWO POEMS WERE REALLY GOOD TOO.

Star Daughter by Shveta Thakrar

Yeah so this is basically everything I hate about YA. Halfbaked plots and characters, a really immature style to the whole thing, weird homophobic stereotypes out of nowhere?? At least the writing was pretty, though! Full review here.

The Five and Twenty Tales of the Genie by Sivadasa

This was pretty interesting? It didn’t stick with me too much (as an aside, I think this is the only book where the main scene I remember is the sex scene. Huh), but I’m glad I read it. There is some misogyny in here, of course, but it was written in the middle ages, so I’m not going to hold that against it. It provided an interesting glimpse into the time period!

A Treatise of the Nobilitie and Excellencie of Womankynde by Cornelius Agrippa

This was a really interesting read, but the main thing I remember are the virgin birth horses and the reason why we know that the virgin birth horses aren’t real is because of the Virgin Mary or something. The support of women was nice, though! I simply found myself a little distracted by that one thing!

The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall

I will admit I don’t remember this book very well, but I really liked it at the time. If I’m being honest, the main thing I remember about it is that the nonbinary rep was really good and that I thought the ending was kind of pat, but I liked the rest. That’s it!

Meet Cute

AGHHHHHH THIS ANTHOLOGY WAS ABSOLUTELY GODAWFUL AND I HATE IT SO MUCH. Full review here.

We Are Okay by Nina LaCour

Hmm, so I still would have hated this either way, don’t get me wrong, but the ableism towards this one schizophrenic minor character + the ableism in how the main character discusses Jane Eyre did NOT endear me to her. Full review here.

Call It What You Want by Brigid Kemmerer

Uh, this was kind of awful. Don’t get me wrong, the book had me invested, it was just also kind of awful. The racism was definitely a no from me, and a lot of plot points seemed to be added in for the drama as opposed to originating organically from the story. Don’t get me wrong, I love drama! I just want organic drama, though. Full review here.

Folk Tales of Brittany by Elsie Masson

I’ll admit I don’t really remember the books I read toward the beginning of the year and I left this unrated and unreviewed, so honestly, who knows? I remember liking some of the stories? I do not remember this book?

You Should See Me in a Crown by Leah Johnson

This was extremely silly but also very cute! I will admit that the insta-love was grating and the love interest was barely above manic pixie dream girl levels. Jordan was great, though, he made the book for me, and I thought the heroine was pretty cute. Full review here.

American Street by Ibi Zoboi

I remember loving the writing and the magical realism. The way the author wove in the folklore from the heroine’s country with the narrative was amazing. **spoilers** In retrospect, I would have appreciated it if the hero had had an arc from ‘vaguely defending the heroine’s sister’s abusive boyfriend’ to ‘not doing that and in fact apologizing,’ but maybe the fact that the hero didn’t get an arc was kind of the point? Maybe the point is that he died and thus never got the chance to grow as a person? Idk. Despite my mixed feelings on the hero, I still really liked this book!

Superstitions of the Highlands of Scotland by John Gregorson Campbell

This was so interesting and I loved learning more about Scottish fairies! So much super cool information in this.

Raybearer by Jordan Ifueko

I LOVED THIS ONE SO MUCH. It deserves the hype imo. Full review here.

Legendborn by Tracy Deonn

This is definitely not the worst retelling of Arthurian legend that I’ve read. Now, I know that’s not necessarily high praise because I have read some AWFUL Arthurian retellings, but this book is definitely not that bad. I do think the plot could have held together better, and I don’t really like Arthurian retellings that are set in a modern time period (well. There may be a few fics on AO3 with this premise that I love, but they actually have fun with their premise and make it a comedy. Which yeah, I do think anything approaching the absolute chaos that Arthurian knights in the modern day would bring should probably be a comedy). And Nick, the hero, was bland as flour. But I really liked the heroine, and I think the portrayal of the discrimination really stuck with me? Yeah, I’ve got mixed feelings on this one! Definitely not a terrible book, but it also didn’t stick with me, and it could have been WAY better with a little more editing.

We Free the Stars by Hafsah Faizal

I loved getting to see my babies again ❤ I miss them already. I should reread this as soon as I’m in a mood to reread things again.

Fireheart Tiger by Aliette de Bodard

Unfortunately blah. Another great premise ruined by insta-love. Also, while I did find the political intrigue more interesting than the romance–although there are a lot of things I think I would find more interesting than the romance, to be honest–there were also situations where the heroine would just make stupid decisions. You’re letting yourself get blackmailed over that? Okay.

Full review here.

Hench by Natalie Zina Walschots

I actually really liked this! It felt a bit unpolished in some respects–there were some weird grammar mistakes, occasionally the representation was a little eh, and there was this one timeskip that was VERY confusing and bothered me an unreasonable amount. Not to mention that the chapters were much too long. But! All that being said! I can apparently be distracted from any flaws in a book by a well-written antiheroine. She was just exquisitely awful and wonderful to watch. Full review here.

Blanca and Roja by Anna-Marie Mclemore

The writing was beautiful, but I found the rest of this kind of forgettable. However, I’ll forgive a lot of things for a Snow White and Rose Red retelling. The blurb is a lie, though, unfortunately. Rose is not that manipulative or mean. I’m sorry, she’s literally just a girl in a tough situation. From everything I remember, anyway??? I wish I could get mean antiheroine Rose Red, but alas. Full review here.

The Camelot Betrayal by Kiersten White

*sobs because this book could have been so much better* There was like. No plot. And Guinevere, Arthur, and Lancelot were SO bland. Mordred was the only bright spot in this book and the poor thing only got like a few pages.

**spoilers for the next book** Let me just rant for a paragraph here. So, I’m reading in reviews that the final book ends up with Guinevere/Lancelot as the endgame ship. If the author was gunning for Guinevere/Lancelot, I literally do not know why she didn’t write it into this one. Mordred is the only person I’m convinced that Guinevere actually likes. (I mean, she seems to at least feel genuine affection towards Brangien, but if we interpret that as romantic, then I feel that we’re getting pretty far into AU land at that point. Although I do ship it!) She likes Arthur because she’s been told to like Arthur. She likes Lancelot because Lancelot is devoted for her, so what else is she supposed to feel for Lancelot? This book did not do its job of convincing me that Guinevere feels anything genuine for like. ANYONE besides Mordred or Brangien, and I’m talking about platonic relationships, too. And yet somehow she ends up with Lancelot in the next book I guess??? Somehow? That was just. NOT built up at all and I’m annoyed, because I’d love some more sapphic Arthuriana! I guess I’ll have to write some, lmao. **okay, I’ve got the spoilers out of the way, you can look now!**

ANYWAY, that got long. Full review here.

The House in the Cerulean Sea by T.J. Klune

Uhh, wow, this is complicated. So, at first I thought it was an okay book, even though it had incredibly simplistic takes on bigotry and was very feel-good. And then I found out that the author had been inspired for his story by residential schools and I feel like the analogy was just. Very weak and not well-used? I’ve seen different people have different takes on the discourse as far as that goes–some people didn’t like it at all, some people thought it was okay because ultimately the book wasn’t that inspired by residential schools–and I’m not sure how I feel about that one, but either way, I found this book very forgettable. Even without knowing what this book was inspired by, I still think this is pretty blah.

Full review here.

The Princess Saves Herself in This One by Amanda Lovelace

Blegh. I’m not even getting into this one because I can’t encapsulate my frustration into one paragraph.

Full review here.

She Drives Me Crazy by Kelly Quindlen

This was very cute! I have seen reviews pointing out that the arrangement between Scottie and Irene kind of pressures Irene into outing herself, and I do agree with that–and sometimes Scottie doesn’t really treat Irene all that well, I thought that pressuring her into going to her ex-friend’s party was kind of terrible–but despite all that, the story remained engaging for me, and Irene is AMAZING, so I forgive it for its sins. Again, it’s just really cute. Also, the mean girl cheerleader is the heroine?? I love this.

Full review here.

Vicious by V.E. Schwab

This practically put me to sleep.

Full review here.

A Thousand Beginnings and Endings

SO DISAPPOINTED. This anthology looked so cool. I mean, retellings of Asian fairy tales?? But I didn’t like very many of the stories that much. A lot of them were bad YA with bad prose or simplistic characterization, and I think I honestly might be starting to grow out of YA, which is a very sad realization for me.

Full review here.

Almost American Girl by Robin Ha

THIS WAS SO GOOD AND THE ART WAS SO BEAUTIFUL I AM FANGIRLING.

Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar

Hi so I loved this with my whole heart?? The portrayal of toxic friendships was really good and the romance was very sweet! Also I’ve got autistic headcanons for Ishu so I know I connected to the main character lmao

Full review here.

Come Drink With Me by Michelle Kan

This was a very cute short story about an aromantic dragon who is friends with a phoenix! I thought that the characterization could have been a little stronger, but it’s not that much of a problem in a 40-page story, so I didn’t mind it. This was very slow and sweet and I really enjoyed reading this!

Medieval Elite Women and the Exercise of Power, 1100–1400: Moving beyond the Exceptionalist Debate by Heather J. Tanner

I LOVED THIS SO MUCH. It’s so interesting to me to learn more about how medieval noblewomen lived their lives and how they maintained and exercised power! It’s a collection of essays about different medieval noblewomen, and I enjoyed basically every one (from what I recall. I can’t really recall any of the books I read this year very well, it’s all a blur tbh).

The Empress of Salt and Fortune by Nghi Vo

So, this started out slow for me, but I was really invested by the halfway mark. I love scheming empresses. Also, the writing was beautiful for the most part? There were a couple sentences that were clunky, but other than that, it flowed REALLY well.

Honey Girl by Morgan Rogers

*insert long wail of pain here*

I HATED THIS MORE THAN I HATED 2021. IT’S SO WISHY-WASHY AND INTROSPECTIVE IN THE MOST PRETENTIOUS OF WAYS AND IT’S BAD. I DON’T CARE ABOUT SEA SALT, I DON’T CARE ABOUT ASTROLOGY, I DON’T EVEN CARE ABOUT MONSTERS IF YOU’RE THE ONE WHO’S TELLING ME ABOUT THEM. ALSO ALL OF THE HEROINE’S RELATIONSHIPS SEEM VERY UNHEALTHY AND I THINK MAYBE SHE SHOULD BECOME A BETTER PERSON AND GET BETTER FRIENDS, A BETTER WIFE, AND A BETTER FAMILY (ALTHOUGH HER MOM SEEMS ALRIGHT, TO BE FAIR, AND THE THING WITH HER FRIEND FROM THE TEA SHOP WAS HER FAULT. WHAT EVEN WAS THAT).

*deep breath* alright, caps lock rant is over now. I don’t have a review, but I do have a lot of ranty reading updates if you want to read them lmao

I’m going to skip over the fairy tale books I read for the sake of time but you should totally check them out because the illustrations are gorgeous and looking at them kind of makes me feel like I’ve stepped into a fairy tale world myself!

Goblin Market by Christina Rosetti

AHHH EVERYTHING ABOUT THIS WAS SO GOOD. THE WRITING, THE CHARACTERS, THE FAIRY TALE VIBES, THE SISTERS, EVERYTHING. YOU SHOULD GO READ IT, IT’S FAIRLY SHORT AND YOU CAN FIND IT ONLINE FOR FREE.

Life in a Medieval Castle by Joseph Gies

This was really informative and I learned a lot!

Walewein ende Keye

I’ll admit I don’t remember this one very well but a) I’m always down for Arthurian legends and b) GRINGOLET

The Perilous Cemetery

THIS WAS WILD I mean anything with Gawain in it is bound to be wild but THIS FELT ALMOST WILDER THAN USUAL.

My review is here but I feel like it doesn’t encapsulate the whole experience. It’s just. Such a weird little story.

Anyway, thank you for reading such a long post lmao. A lot of the fantasy I’ve read this year has just been…disappointing? Maybe it’s just a case of the disappointments standing out more than the ones I liked, though. Still, when I think of the books I liked this year, the ones that come to mind are the classics and the academic stuff, not really the fantasy. It’s a shame, I hope I find better SFF soon!

In Which I Admit That the Books I Hate Aren’t COMPLETELY Terrible (yes, it was hard)

So, I have a few books that one could call my arch-nemeses. There are books I strongly dislike, and then there are books that came into my house, punched me in the face, and stole my dog. (Actually, I’m just a drama queen.) I’m here to talk about the latter! In a strange way, I kind of love them. I mean, I hate them, but I love them, so why not talk about them? I just want to talk about the good things these books had going for them and why, ultimately, those good things weren’t enough to get me to like them. Poor books.

Sarah came up with this idea, and it was too good for me to pass up. So I stole it.

Six of Crows

That’s right! Because I like to start things off with a bit of spicy controversy, I’m here to bash the book community’s fave.

I mean, say good things. That’s what we’re here for.

I like that Inej was Romani-coded? It’s sad, but I’ve hardly ever seen Romani main characters. They’re usually relegated either to the MyStIcAl side characters or else to the eeeevil vagrant role. Sometimes both, for good measure! So yeah, I liked that this book actually gave Inej a real, major role.

I also liked…

Hold on. Let me think.

Okay, okay, I’ll be fair. I actually liked or at least didn’t mind most of the side characters. Inej, the deuteragonist, was underdeveloped with poorly written trauma, but her basic concept was good. I couldn’t connect with Jesper, but again, I think the basic concept was good, and he wouldn’t need nearly as much fleshing out in order to get me to like him as Inej. I actually genuinely liked Wylan and Matthias! I’ll always (sometimes) have a hankering for the cute, soft characters, so Wylan was nice, and Matthias was the one character I would say was genuinely fleshed-out and complex. I legit loved Matthias! He was cool! And yeah, he did a lot of stupid things and had kind of violent tendencies, but I think it definitely made sense in context with his backstory. I like characters who go through some kind of conflict. Especially characters who realize they’re on the wrong side and slowly realize they have to leave behind everything they were taught. Just…God, I will always love that kind of arc.

(As a side note, it’s been a while since I read this, but I cannot remember one personality trait Nina had? Did she have any??)

Anyway, I don’t think I’d hate this book at all if it weren’t for the fact that I wanted to punt the smirking edgelord of a hero across the Pacific the whole time I was reading. (Did Kaz smirk? He seems like the sort of guy who would smirk.) Now, I don’t think I would have liked it even without Kaz–I personally didn’t find a lot of depth to the story–but Kaz did a LOT to tip my feelings over the edge.

Also, I just love gratuitous glorified torture scenes!! 😍 We stan complex handlings of violence. (And the anti-Asian racism–I’m SORRY I know I’m supposed to be saying good things.)

In conclusion, I stan Matthias and kind-of Wylan and would ditch everyone else.

The Cruel Prince

Madoc. Madoc was the only good part of this book and I stand by what I said. The book kept trying to tell me he was sooo violent and unmanageable but he was actually the most reasonable and intelligent character in the book? I still agree with what I said in my review about how he should have been the protagonist of the story. Also, he’s the only character who actually, you know…does stuff?

I also like the premise of this story! Human girl takes over fairy kingdom is not a bad plot at all. I just wish there were more actually-taking-over-the-kingdom parts and less vaguely rapey parts.

Red Riding Hood

Actually, you know what, there were no good parts of this book. Throw the whole thing away.

I reviewed it, sort of

Snow Like Ashes

Oh God.

I hated this one for the girl-hate and the dissing of sewists. And also Meira was a brat and the soldiers fighting for the villain were demonized even though they were literally magically brainwashed?? Apparently? I guess? And the plot was the most cliche high-fantasy plot you can come across 😷

I read this when I was young, so it has been a while, but I thought the concept of dividing kingdoms into seasons was very cool. Like sure, it’s not actually possible if you apply logic to it, but fantasy doesn’t always work off of logical assumptions! Also, I liked how the people from Winter had white hair and were immune to the cold, especially because I would also like to be immune to the weather.

Also, THERON OR THEON OR WHATEVER HIGH-FANTASY NAME HE HAD. HE WAS THE BEST. I stan my poet prince! He literally was so unproblematic and just wanted to help people, and was so good at connecting with people on an individual level 💙 But of course Meira went for the cardboard one instead.

The Belles

The fat queer character got killed off in a really graphic and unnecessary way, but I mostly just disliked it because every character (aside from the fat queer character who died) was flat. And the worldbuilding wasn’t that developed, either?

But! I don’t really have strong feelings about this book one way or the other. I mean, I didn’t like it, but there wasn’t a lot I hated, either. I do think that, while the world was underdeveloped, the story definitely created a strong atmosphere? I liked that. Also, it was nice to have a black mc in a fantasy novel! (Do I capitalize the words black and white when referring to ethnicity? Google keeps giving me conflicting answers and I’m so confused.) Having a black main character in a fantasy shouldn’t be something that’s unusual, but unfortunately I feel like black mcs in fantasy can be a little hard to come across. (They’re definitely there, though!) Either that or else I’m looking in the wrong places.

I don’t even hate this book, I just dislike it. So it shouldn’t even be on this list, but I needed a way to pad out that word count somehow ❤

Strange the Dreamer & Muse of Nightmares

I said on Goodreads that this duology felt like a fever dream, and I stand by what I said! It was long-winded and just sooo problematic >.< The handling of slavery and sexual assault was low-key abysmal? I mean, Eril-Fane was okay, but Ruby being implied to assault slaves was not as quirky as the story thought it was! And Lazlo was such a Mary Sue, my God. Anyway, this and The Cruel Prince are my favorite books to hate! (I have favorite books to hate because I’m an incredibly hateful person.)

I think some of the concepts set up in this book were very, very cool. I still love the idea of the ghost bird, and I love the idea of someone who can manipulate dreams! I’d kind of like to write a character with dream powers myself someday. Also, I loved the library and I kind of wish the whole book could have taken place there!

Eril-Fane is the king of character development and you cannot tell me otherwise. He deserved a better book. He deserved to be the protagonist. I love him! (And frankly, I’m kind of salty over the fact that the narrative kept dragging him over the coals for killing those kids. Which sounds like an absolutely RIDICULOUS thing to say out of context, but seriously, he had no reason to believe that the kids wouldn’t be super-powered montrous spawns of Satan. His decision definitely made sense in context with both what Eril-Fane knew at the time and with everything he had been through, and he was just trying to prevent his country’s people from going through systematic mass rape and murder again. In fact, you know what? The kids we saw were spawns of Satan. I say Eril-Fane should have killed more kids and we should all respect his right to kill kids–is that a mob with pitchforks and torches I see outside my window?)

And the way science/alchemy (kind of the same thing in this world) was portrayed in this was beautiful and amazing and it should have!! been the focus of the book!! The science was waay more interesting than any magic systems the book had. But really, I think the author honestly got the magical, wonderful nature of science that a lot of people miss. (Including me. I FAILED at science.)

I loved Thyon, but I have no idea if I would have latched onto him if there were other good characters who had screen-time. (My king Eril-Fane deserved SO much more screen-time *cries*) There were…a lot of things that went wrong, to say the least, but his arc was so compelling! But yeah, I liked him because he was mentally ill and queer thank GOD I have Wei Wuxian to fill that need now he was a fairly unique take on a character type I love! Give me all the cold-hearted characters who realize they have feelings, okay? Some of his scenes were really emotional, especially in the second book? I wish the whole book could have been like the best Thyon scenes.

Anyway, there’s a lot I like about this book, which is why I hate it so much. There’s nothing I hate more than something I wish I could like. What was it Cardan said? ‘I hate you so much all I can think of is you?’ ‘I hate you so much I can barely breathe?’ Something like that? But I have a simple plan to fix this book, and all disaster can be averted! Except not, because it’s already published. But oh well!

anyway, I think the story should have been a trashy, problematic gay romance between Lazlo and Thyon. That, cutting most of the purple prose, and adding in some adventure would have made this one of my favorites. As well as cutting the weird parts with the sexual assault, the unhandled xenophobia and internalized homophobia (seriously, a word of advice to people out there, if you aren’t going to handle important topics and devote time to them please do not put them in your story), and the weirdly ableist bits. Then we would have the perfect story.

Or, you know, it could have just been a tasteful novel about Eril-Fane and Azareen and that would have been great.

Anyway, while you guys are absolutely not allowed to read my Strange the Dreamer review because it was my first review and it was TERRIBLE, here’s my Muse of Nightmares review

The Guinevere Deception

This isn’t a book I hate, more one that I have strongly mixed feelings about, but I put this here so I can say one thing:

MORDRED.

That is all.

Many thanks to Sarah for letting me borrow her idea! I literally had so much fun with this. I feel like this was more of a roast than actually saying good things about the stories, but oh well.